Lemon Squeezings is a leading source of information on the ongoing musical careers of Led Zeppelin's surviving members, located at www.LedZeppelinNews.com since 2007.
Jason Bonham
Jason Bonham, son of the late John "Bonzo" Bonham, does not take lightly the responsibility of carrying on his father's legacy. Having made a head start at drumming while he was a child, Jason is now passing on the same lessons to a third generation of Bonham drummers.
John Bonham's death in 1980 left such an impact on the surviving members of Led Zeppelin that they knew immediately they could not continue as they were. Yet Jason Bonham's familiarity with the band made him a shoe-in to join his father's bandmates on the few occasions reunion concerts have taken place.
This year marked the 20th anniversary of Bonham's most successful album release to date, the Platinum-certified disc The Disregard of Timekeeping released by his band, Bonham. To mark the milestone, he recently toured with a new band and played under the banner of "An Evening with Jason Bonham."
In the past, Bonham has also toured and/or recorded with Jimmy Page, Robert Plant, Foreigner, UFO, Paul Rodgers, Joe Bonamassa, Virginia Wolf, Airrace, Healing Sixes and Motherland. He also acted in the movie Rock Star and appeared on the reality TV show "SuperGroup."
Led Zeppelin fans have criticized Robert Plant for his willingness to sing Led Zeppelin songs during his concert appearances, particularly when new and foreign-sounding arrangements are applied. (Check out the comments section from this post two months ago or this one from only a few weeks ago for two examples.)
We'll see what the reaction is to this.
Last week, Plant dipped into his past but not Led Zeppelin's. He did this by sitting in with Francis Dunnery, who was one of Plant's guitarists on his 1993 solo album, Fate of Nations, and his subsequent tour.
Dunnery has been on a U.K. tour supporting his new 2-CD set, There’s a Whole New World Out There, which looks back on his own career by remaking several of the hits with which he's been affiliated -- one of those being Plant's own "Calling to You."
Most other songs on Dunnery's album are re-recordings of tracks he originally performed with his '80s band, It Bites. That band, incidentally, now exists in reunited form albeit without Dunnery, who was its original singer and lead guitarist, having replaced him with a fan.
Dunnery evidently has no problem performing those songs. As for his fans? They dig it! In Australia and New Zealand, for instance, Dunnery will be going on a house concert tour, and two of the shows are already sold out.
Back to my original point: Dunnery's onstage guest on Friday night the final show of his tour, at the Walls Restaurant in Oswestry, was Plant. They ran through a straightforward rendition of "Calling to You," as seen below.
Plant was all smiles as he heard Dunnery's band start up the song, especially when Brett Kull came in with a second guitar harmony that was on the original.
He commanded the first verse on his own, sounding just like he did 16 years ago, when that album was released. But when he missed the cue to enter for the second verse, everybody else who had a microphone stepped in and unfortunately started drowning out Plant.
At other times, it was clear Plant was looking to others for some help with the vocal cues -- and perhaps even the lyrics -- to a song whose arrangement really hadn't changed much. It was evident Plant was a little out of practice on the song, even though it was something he performed with the Strange Sensation as recently as in 2007.
As the song went on and there were no more cues to miss, Plant comfortably began adding vocals wherever possible including throughout instrumental sections.
Keyboardist Tom Brislin soloed, creating a synthesized approximation of Nigel Kennedy's violin on the original and "progging it up" a bit. The sound must have reminded Plant immediately of somebody like Keith Emerson or Patrick Moraz because he immediately misquoted a Yes lyric from "Roundabout," offering, "Mountains come out of the sea and just stand there."
Then, to Dunnery's apparent delight, Plant launched into an impromptu monologue on progressive rock artists he's known professionally, telling a joke about where one Jethro Tull drummer once shoved Ian Anderson's flute. Hmmmm.
On top of Dunnery's echoing guitar effect, Plant ended up vamping on a "When the Levee Breaks" reference, shortened to adapt to a 5/4 time signature: "Mean old levee taught me to weep, mean old levee taught me to weep ..." It sounded great!
So, let me ask all the Led Zeppelin fans out there who think Plant isn't allowed to sing Led Zeppelin songs anymore since he doesn't want to reunite Led Zeppelin a few questions, just to determine the guidelines of acceptability:
Is Plant allowed to vamp on a Led Zeppelin lyric while he performs one of his solo songs?
Is this particular lyric -- "mean old levee taught me to weep ..." -- OK for Plant to sing today since it was in a song by Memphis Minnie long before Plant appropriated it for a Led Zeppelin album?
Is Plant not even allowed to sing a song from his own solo career anymore, since he obviously isn't in any hurry to reform his solo band lineups with Robbie Blunt, Phil Johnstone or Skin Tyson?
Is it OK for Plant to team up onstage with Francis Dunnery, a guy who's performing songs from his former band at a time his former band replaced him because they wanted to reunite sooner than Dunnery was available?
Are these questions more than a little bothersome? If so, then why insist on reverting to the crazy idea that Robert Plant must reunite Led Zeppelin out of a debt to any of the other surviving members?
The only singer who has confirmed he was a part of rehearsals last year for this non-Led Zeppelin band is Myles Kennedy of Alter Bridge. Because the press insisted the resulting band would have been called Led Zeppelin, it was widely reported that either Kennedy was chief among singers being considered taking Robert Plant's place in Led Zeppelin.
Now, one blogger wants things to come full circle. Daniel Wilcox of 411mania.com says Aerosmith may be in shambles, with the band unsure whether or not Tyler has walked out on their touring commitments. Wilcox thinks Plant ought to volunteer to sing for Aerosmith. Of course, when he said that, he was kidding -- only about as serious as when he suggested Courtney Love ought to fill the same vacancy.
Wilcox finished up, though, with another suggestion, one he says he honestly means: Myles Kennedy. Check out his reasoning, among other things.
Earlier this week was 40 years since a Led Zeppelin concert in Kitchener, Ontario, Canada, and Zeppelin fan Brian Gardiner marked the anniversary of the '69 show in his town with a trip to the library, which resulted in an informative piece on Zep's visit to the Canadian hamlet with a population of 100,000 at the time.
Bonham had five dates scheduled this month, billing shows as "An Evening with Jason Bonham." During shows, his band has been playing songs from his own past as well as from that of his father, the late Led Zeppelin drummer John Bonham.
One song from Jason Bonham's own past is one that required a spoken introduction from the man behind the drum kit. Bonham spoke up before performing "Like I've Never Been Gone," a song from Robert Plant's first solo album in 1982, to tell a story about his own life and how he came to be involved in Plant's post-Zeppelin career in those days.
To set the scene, the 44-year-old describes the setting as "a period in my life which was a bit -- quite sad, really."
I was 14 years old and had just lost my father and really didn't know what to be doing in life, but Mr. Plant came along, picked me up from school one day. He said, "Would you like to come and jam?"
So I did, and we went to his house, and Robert was working on the first solo album, Pictures at Eleven. And this, to me -- I did all those demos, by the way, before Phil Collins came along, ...
It was a great moment, and it was a great time where I could just forget about that Dad had gone and just be playing music. It really helped me through it. This song means a lot to me. It's called "Like I've Never Been Gone."
Davis Guggenheim, the director of "It Might Get Loud," has just contributed a Q&A with Billboard.biz. (At first, the site incorrectly listed his first name as "David.")
In the interview, Guggenheim plugs the upcoming DVD and Blu-Ray releases of his film documentary that centers on guitarists Jimmy Page, The Edge and Jack White. But he also discusses an online release of the film by iTunes.
The iTunes download of the movie is currently scheduled for Dec. 8, two weeks earlier than the physical releases on DVD and Blu-Ray on Dec. 22.
"As part of the new iTunes feature, Apple has signed two deals to distribute music movies exclusively for a limited period ahead of their release through other outlets. The first is a new concert film, 'Kings of Leon, Live at the O2,' featuring the rock band. It will be offered a week before other outlets on Nov. 3. The other is Davis Guggenheim's music documentary 'It Might Get Loud' about the history of the electric guitar, focusing on Jimmy Page, the Edge and Jack White. That will be available first on iTunes on Dec. 8, ahead of its wider distribution on Dec. 22."
From the interview:
WSJ: How did this partnership with iTunes come about?
Guggenheim: We all felt like this was the kind of movie that is perfect for iTunes. I'm sort of suspicious of the fads, but when you can imagine that at ten o'clock on a Friday night, wanting to see a certain movie, specifically a rock and roll movie, you're sort of following the instinct that you might have had in the '70s in Greenwich Village, when you could walk out and go find films like this. After you watch the movie you might say, "I'm going to download that song by Jimmy Page." If you were a music lover, you follow these paths.
"Guggenheim spoke fondly of mom-and-pop record stores, but added, 'there's no music store that can have everything that iTunes has.' ... 'To me, iTunes is my own mom-and-pop,' Guggenheim said. 'That sounds counter-intuitive, but it actually is.'"
Addressing the quality of a downloaded movie, Guggenheim posits in the Billboard.biz Q&A:
"I used to assume the quality was terrible. And for a while it was. But I downloaded 'The Sting' the other night and I couldn't tell the difference between that and a DVD. I think the quality issue is gone."
As for the convenience of a downloaded movie, the director tells Billboard.biz:
"It's perfect. If you're just a guy out there that loves movies, rock and roll music, and rock documentaries, you've seen all the music and movie venues disappear. The local music store, the local art house theater ... they're gone. That's the bad news. The good news is now there's a home for documentaries and music movies, and you don't even have to leave your home."
Yet the loss of the local music store is exactly what some people are mourning.
"It's all too easy now to order CDs from the likes of Amazon and download songs from iTunes. This is all well and good but the download generation, which includes my own children, will never experience the excited buzz of a Saturday morning trawling the record shops in search of the latest singles and albums.
"The whole interaction of the buying and selling of records created a social network long before the emergence of the internet generated My Space and Facebook sites and one whereby we actually talked to each other face to face as we shared our passion for our favourite artists.
"I am sure I am not the only one whose record collection inspires fond memories of many hours spent in the likes of Carousel, Harlequin Records, Carlow's, Andy's, MVC, Our Price etc."
The band releases its first full-length album on Nov. 17 in the United States. Until then, LedZeppelinNews.com is offering a rundown of the 13 cuts that will appear on the CD.
A Classic Rock magazine panel of judges has voted to honor the late John Bonham with this year's Tommy Vance Inspiration Award.
On hand at London's Park Lane Hotel to receive the posthumous honor last night were the drummer's mother, Joan Bonham, and his sister, Deborah Bonham.
The award was sponsored by Rhino Records.
Other winners in the 2009 Classic Rock Roll of Honour Awards include singer Iggy Pop, who was named a "Living Legend"; Ronnie Wood, who received the Outstanding Contribution award; and Ginger Baker, who received the Innovator award.
At the ceremony two years ago, it was Jimmy Page who was named a Living Legend. For that 2007 ceremony, Robert Plant contributed a video tribute to him, which can be seen below.
John Paul Jones is now in one of the hottest and hardest rock bands, Them Crooked Vultures. The frontman, handling lead guitar and vocals, is Josh Homme of Queens of the Stone Age. Dave Grohl of Foo Fighters is on drums. As for Jones, he offers not only bass and keyboard but also mandolin, keytar, lap steel and whatever else is needed.
One album was released in November, and another is forthcoming. A tour of North America completed in November, and the band now heads to Europe in December and Australia in January.
Them Crooked Vultures were 'everywhere this summer'
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'It Might Get Loud' features new music from Jimmy Page
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Jimmy Page stars with fellow guitarists Jack White and The Edge in this guitar documentary, directed by Davis Guggenheim ("An Inconvenient Truth"), which had widespread theatrical showings beginning in August.
"It Might Get Loud" will be released on DVD and Blu-Ray on Dec. 22 in the United States. Click here to pre-order on DVD or Blu-Ray. Prior to this, "It Might Get Loud" will be available on iTunes for two weeks beginning Dec. 8.
Just prior to the Led Zeppelin reunion concert in 2007, Robert Plant released the album Raising Sand with Alison Krauss. Their partnership has been the subject of much critical and commercial success, including victories at the Grammy awards two years in a row.
A follow-up to that album has been in pre-production, but Krauss's current priorities are new recordings and eventual touring with her signature band, Union Station. Progress on the second Plant/Krauss album is anticipated following the completion of the Union Station tour.
Following the breakup of Led Zeppelin, Plant went on to a rewarding career as a solo artist. He released six albums of his own between 1982 and 1993, two collaborative albums with Jimmy Page between 1994 and 1998, and two more solo albums since that time. Yet until Raising Sand, his biggest commercial success came in releasing an EP of classic cover material under the name The Honeydrippers.